In response to questions about what I use for my digital recording studio, here’s the lowdown on my new setup. Some of the parts are not in place yet, so I make do and save up…
Hardware:
- Dell Inspiron 9300 notebook, with:
- 60GB 7200 RPM hard drive
- 1GB RAM
- 256MByte Nvidia 6800 Go video
- 17″ WUXGA (1920×1200) screen
Total system cost: $2417. I used an $800 off coupon from Dell, though, so I saved a lot. Unfortunately, because I had a budget in mind for the unit, I couldn’t spring for the DVD burner (an extra $125.00). I have an external DVD burner, though.
- M-Audio Firewire Audiophile external sound card: $349.95 retail (picked mine up for $135.00 from eBay)
- Two OSM-800 condenser microphones: $120.00 each (picked up on sale for much less)
- Two boom stands: about $20.00 each
- 20′ mic cables: about $30.00 each
- A Phonics 4-channel mixer: $100.00
- Various mice, keyboards, headphones, and miscellania
Software:
- Cakewalk Sonar 2, 3, and 4 Producer Edition: $959 retail, but if you’re a previous Cakewalk owner it’s majorly discounted. Older versions are also dirt-cheap on eBay.
- There are a few plug-ins which are critical to the way I work in-studio:
- Antares Auto-Tune: $349.00
- LiveSynth Pro: $64.95
- Clone Ensemble: $40.00
- Various free VST plugins.
- Cool Edit 2000. $45.00 back in the day. This is called “Adobe Audition” now, and costs about $300. The reason I stick with the really ancient version is because it does the one thing it does that nothing else does well: noise reduction. I’ll generally also use this as my UI when tweaking notes using Auto-Tune. Actively looking for a replacement; I suspect I could figure out a way to do this within Sonar. Just gotta hit the manual.
- Many softsynths and sound libraries, both free and otherwise. I’ve dropped $20.00 here and $40.00 there a lot over the years to build a library of things I think sound pretty good.
Stuff I want to get to improve my sound:
- Real flat-response monitor speakers. Headphones and playing stuff on various equipment around my house just doesn’t give me really even testing of my mixes.
- A stereo condenser mic
- When I get that stereo condenser mic, I’ll need another audio interface, since 2 condensers + stereo condenser = 4 channels, and I can only record 2 at a time right now. You can play fun games with mixing, though, and do magic in 2 channels.
- Adobe Audition. It does lots more than just noise reduction now 🙂
- Building a noise-resistant enclosure for recording voice and instruments
- Sonar 4 Producer Edition. I’m still on 3 now.
- Cakewalk Project 5
- The new version of Drumkit from Hell. It’s on several DVDs now, and is an amazingly impressive, realistic-sounding drum library that’s still cheaper than paying a live drummer for one day in the studio (about $200)
There’s a bunch of other stuff, including a VST server cluster, many more microphones, a drumkit, a midi drumkit, etc. that I’d like to get “one day”, but I may be dead before that happens. Much of that would be predicated upon moving to a bigger place; our existing townhome is nice, and we like it, but there’s not enough space to build a full-fledged recording studio. However, I should be able to figure out a nook I can soundproof for vocals and guitars.
Realize I’ve accumulated this stuff over a decade and a half of recording and playing. I don’t think I’d drop several thousand dollars in one place for a recording setup myself! If I were rebuilding a studio from scratch today, needing a MIDI controller too, here’s what I’d do to try to do it all:
- $600.00 for an M-Audio Ozonic. This keyboard includes digital/analog audio interfaces, keyboard, MIDI I/O, and a whole slew of control surfaces. I just didn’t have the budget for it this go-round, but I could see with a laptop having a killer mobile studio with just this mobile audio interface and a few microphones.
- $1600 for a really nice laptop. (at $2200 so far)
- A copy of Cakewalk Sonar Producer Edition 4 from eBay for $420.00. (Now we’re at $2620).
- I’d still stick with two mics, and I like my OSM-800’s. I’d wait for a good sale (like I did) so I can get two for the price of one. With cables and boom stands, call it $250. (Now we’re at $2870.) Stereo condensers are ridiculously expensive, and response pattern is really important for these, so cheap Chinese knock-offs don’t work so well…
- Drumkit from Hell Superior, a drum sample library: $270.00. Now we’re at $3140.
- Slicy Drummer 2 with DR-008: I love both of these products, and the new version combines the two into one. It’s just a plug-in, but WHAT a plug-in! $70.00 (putting us at $3210)
- Antares Auto-Tune. $350 (Now at $3560)
- Izotope Ozone: $250 (Now we’re at $3810)
- Izotope Trash (a distortion plug-in): $200 (now $4010)
- Adobe Audition: $300 (now $4310)
- Cakewalk Project 5: $350 (now $4660)
- Buy a few loop libraries, miscellaneous cables, and a spare set of strings with the rest of the money between $4660 and $5,000.
I think that would do it. For under $5,000, you can have a really reasonable home studio recording environment that’s completely portable (two small bags) and high-quality. You can easily use it to produce nearly-pro-quality recordings of live performances at your kids’ schools (you’d need a lot more microphones and a much larger DAC with many channels to do full pro-quality), and be able to multitrack well at home. Because you’re using a small integrated midi and audio i/o controller, you don’t have much offboard gear to worry about. You will probably want to use a dedicated audio hard drive, though, that’s a external to the unit. The internal one will have to time-share with the swap file and other Windows applications, and you won’t be able to stream so many simultaneous tracks.
This is where I hope to go one day, but I’m not there yet!
HEadphones..
Excellent..
this is exactly what i was looking for.
I now have toe little problem that I think my headphones are too muffled and bassy.. my extra pair are too tinny and trebley..
What is a good set of headphones for clear, realistic sound..
Monitor speakers
This is where monitor speakers come in. Headphones won’t do it, at all, if you want to come up with good mixes (unless you try out a half-dozen different ones, and then you end up with a mix that only sounds good on headphones).
The biggest problem with headphones is that their frequency response isn’t flat. Usually, they over-emphasize the bass, and often thin out your midrange too much.
What you want is some cheap, high-quality monitoring speakers. That’s the pair that I want. The problem with hi-fi speakers is that they’re designed to make things sound “good”, instead of ‘true to the recording’. Regular computer speakers tend to be all midrange with little bass, unless you add a subwoofer, then you tend to get a “hole” between where the bottom-end of your small speakers stop and the top-end of the subwoofer stops.
The other thing you need to make sure of is that your speakers are evenly “balanced”, that the frequency and amplitude balance are identical between both the two of them. Most regular hifi speakers simply aren’t.
Your listening environment will dictate some changes, too. If you have solid walls that aren’t broken up by something, you’re going to end up with standing waves. It’s wise to put some kinds of drapes or furniture in the room to avoid the worst of the standing waves (the types that tend to happen in the midrange — clap your hands in a totally empty room and hear what I’m talking about). You can then play some pure sine tones from your synthesizer to hear where the resonant frequencies are, and make attempts to dampen the resonances.
Building a good listening room is an art, not a science. I’m fairly luck to have a large room with a lot of furniture which is empty at night, with just a few standing waves I haven’t corrected. Now I need some good monitor speakers so that when I run my sine tests, I can be sure the resonances are from the room, not from the speakers themselves…
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Matthew P. Barnson